Features

  • Dance like everybody’s watching

    Dance like everybody’s watching

    Jack Bowen, 13 May 2014

    Author and coach Jack Bowen discovers the beauty of taking risks within a framework of trust, even when everyone is watching.

  • What’s your story?

    What’s your story?

    Steven Boyd Saum, 22 Apr 2014

    A thank-you. A request. And 100,000 reasons to go in for SCU on April 23.

  • Radiant house

    Radiant house

    Steven Boyd Saum and Heidi Williams '06, 15 Apr 2014

    Building a house for the 2013 Solar Decathlon. That, and changing the world.

    Spring 2014

  • Américas cuisine

    Américas cuisine

    Holly Beretto, 15 Apr 2014

    Telling a delicious tale of food and family with chef David Cordúa ’04.

    Spring 2014

  • Lessons from the field

    Lessons from the field

    Reinhard Cate '07, 15 Apr 2014

    Taut and tranquil moments in Afghanistan—an essay in words and images.

    Spring 2014

  • Inside Ukraine’s revolution

    Inside Ukraine’s revolution

    Steven Boyd Saum, 15 Apr 2014

    Along the road to crisis: hope, despair, and a Q&A with writer Andrey Kurkov.

    Spring 2014
     

  • Decide who we are

    Decide who we are

    John Deever and Steven Boyd Saum, 15 Apr 2014

    After half a century as a pariah state, Myanmar is opening to the world. People have stories to tell. And they want to shape for themselves what comes next.

    Spring 2014

  • Uneasy money

    Uneasy money

    Mario Belotti and Maria Farley, 10 Apr 2014

    The policies of the Fed have added more than $1 trillion toward U.S. income inequality, says a study by an SCU scholar and researcher.

  • A cut to California’s future

    A cut to California’s future

    Michael E. Engh, S.J., 12 Mar 2014

    The Cal Grant program, which has provided funding for more than 2.3 million students in the state since it was launched, is in jeopardy.

  • Degnan's rules

    Degnan's rules

    Chris Bruno '84, 3 Mar 2014

    James Degnan taught, ripped, cajoled, and inspired generations of Santa Clara writing students—all in his own discomforting style.