Art
Digital War
Assistant Professor of Art Ryan Reynolds explores what it means to see—versus to truly understand.
"We live in a time when we see things that we don’t really experience,” says Ryan Reynolds—even though, through the media, “we have a sense that we are informed of truth or reality.” That sense of watching (or not) conflict half a world away informs Digital War, one of Reynolds’ recent series. The painting here shows the aftermath of the bombing of the Indian embassy in Kabul, Afghanistan, in 2010. But the digital transmission has been fragmented and, on the receiving end, put together in a way that’s broken, incomplete.
Go further: See more images from the series and read more of what Reynolds has to say about it.
Winter 2013
Table of contents
Features
To catch a thief
A young mathematician at SCU has helped equip police in Santa Cruz and L.A. with an algorithm that predicts where crimes might happen next. Is this the future of policing?
How to avoid a bonfire of the humanities
A veteran chronicler of Silicon Valley looks at why the high-tech industry needs—and wants—folks who know how to tell a story.
The play’s the thing
Kurds, Arabs, countrymen: Shakespeare Iraq brings the Bard to Ashland like you’ve never heard him.
Mission Matters
Heart of the matter
A statue that’s gazed on the Mission Gardens for 130 years gets a much-needed restoration. As layers of paint are peeled away, stories of the past emerge.
All work and all play
They make Erik Hurtado ’13 WCC player of the year and the No. 5 pick in pro soccer’s draft.
Got MOOC?
There’s global interest in a Massive Open Online Course in business ethics.
